A sari or saree is a strip of unstitched
cloth, worn by females, ranging from four to nine yards in length that is
draped over the body in various styles It is popular in India, Bangladesh,
Nepal,
Pakistan,
Sri Lanka,
Bhutan,
Burma,
Malaysia,
and Singapore.
The most common style is for the sari to be wrapped around the waist, with one
end then draped over the shoulder, baring the midriff.
The sari is
usually worn over a petticoat (लहंगा lahaṅgā or lehenga)
in the north, langa, pavada, or pavadai in the south, chaniyo,
parkar, ghaghra, or ghagaro in the west, and shaya
in eastern India), with a blouse known as a choli or ravika forming the upper garment. The blouse has
short sleeves and a low neck and is usually cropped at the midriff, and as such
is particularly well-suited for wear in the sultry South Asian summers. Cholis
may be backless or of a halter neck style. These are usually more dressy, with
plenty of embellishments such as mirrors or embroidery, and may be worn on
special occasions. Women in the armed forces, when wearing a sari uniform, don
a short-sleeved shirt tucked in at the waist. The sari developed as a garment
of its own in both South and North India at around the same time, and is in popular culture
an epitome of Indian culture.The sari signified the grace of
Indian women adequately displaying the curves at the right places.
Origins
and history
The word sari is derived from Sanskrit
शाटी śāṭī[6] which means 'strip of cloth'[7] and शाडी śāḍī or साडी
sāḍī
in Prakrit,
and which was corrupted to sāṛī in Hindi.[8]
In the history of Indian clothing the sari
is traced back to the Indus Valley Civilisation, which
flourished during 2800–1800 BC around the western part of the Indian subcontinent.[1][2][3]
The earliest known depiction of the sari in the Indian subcontinent is the
statue of an Indus Valley priest wearing a drape.[1][2][3]
Ancient Tamil
poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari
by Banabhatta,
describes women in exquisite drapery or sari.[9]
In ancient Indian tradition and the Natya Shastra
(an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being
is considered to be the source of life and creativity, hence the midriff is to be
left bare by the sari.[10][11]
Sculptures from the Gandhara,
Mathura and Gupta
schools (1st–6th century AD) show goddesses and dancers wearing what appears to
be a dhoti wrap, in the "fishtail" version which covers the legs
loosely and then flows into a long, decorative drape in front of the legs. No
bodices are shown.[1]
It is generally accepted that wrapped
sari-like garments, shawls, and veils have been worn by Indian women for a long
time, and that they have been worn in their current form for hundreds of years.
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